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Museum Voor Sierkunst en Vormgeving: Yrjö Kukkapuro's Exhbition
23 Apr 2009
EXHIBITION ANNOUNCEMENT
Museum Voor Sierkunst en Vormgeving, Jan Breydelstraat 5, 9000 Ghent
Belgium
4 July - 11 October 2009
Finnish designer Yrjö Kukkapuro was born in Wybor, Finland in 1933. He initially dreamt of becoming a painter. In 1956 however, he began studying furniture design at the Institute of Applied Arts in Helsinki.
In 1959 he started his own workshop, where he mainly designed functional furniture. His famous chair “Karuselli” from 1964 is based on an impression of the designer in the snow.
The arm chair is equipped with a rocking and turning mechanism. The seating shell is made of fibreglass-reinforced plastic and is covered with leather.
As of 1973 he resolutely opted for a minimalist approach. He would eventually even turn his back on the material plastic. Birchwood multiplex became the primary material for him.
In 1978 he designed the office chair “Fysio”, the shape of which was determined by anthropometry. This chair design won him various international prizes and awards.
Responding to postmodernist trends, he began designing in a more expressive manner in the 80s. Colour and decorative elements are integrated in his work. Indicative of this period in his career is the Experiment collection.
In the 1990s, Kukkapuro added prints and abstract patterns to the back and seating of his chair designs. Well-known examples are the “tattooed” arm chairs.
This Finnish designer is still active to this day.
One of his latest creations is the 2007 “Element” sofa and armchair. The various items from this series are composed of various elements which are digitally produced.
Kukkapuro designed little on paper, he preferred creating plaster designs.
Initially his designs were produced by Finnish furniture company Haimi, but in 1980 a new company was founded to produce his designs: Avarte.
Functionality is key in Kukkapuro’s design philosophy, “Form follows function” is the motto he lives by.
Time and again he takes up the challenge of creating functional, durable and comfortable furniture using as little materials as possible.
Another typical trait is the lightness of the furniture and the honest shapes which often come to light in the details.
The exhibition layout was created by Yryö Kukkapuro and gives an overview of his work from the late 50s until the present day. Visitors will also have the opportunity to try out a number of his designs.
Museum Voor Sierkunst en Vormgeving, Jan Breydelstraat 5, 9000 Ghent
Belgium
4 July - 11 October 2009
Finnish designer Yrjö Kukkapuro was born in Wybor, Finland in 1933. He initially dreamt of becoming a painter. In 1956 however, he began studying furniture design at the Institute of Applied Arts in Helsinki.
In 1959 he started his own workshop, where he mainly designed functional furniture. His famous chair “Karuselli” from 1964 is based on an impression of the designer in the snow.
The arm chair is equipped with a rocking and turning mechanism. The seating shell is made of fibreglass-reinforced plastic and is covered with leather.
As of 1973 he resolutely opted for a minimalist approach. He would eventually even turn his back on the material plastic. Birchwood multiplex became the primary material for him.
In 1978 he designed the office chair “Fysio”, the shape of which was determined by anthropometry. This chair design won him various international prizes and awards.
Responding to postmodernist trends, he began designing in a more expressive manner in the 80s. Colour and decorative elements are integrated in his work. Indicative of this period in his career is the Experiment collection.
In the 1990s, Kukkapuro added prints and abstract patterns to the back and seating of his chair designs. Well-known examples are the “tattooed” arm chairs.
This Finnish designer is still active to this day.
One of his latest creations is the 2007 “Element” sofa and armchair. The various items from this series are composed of various elements which are digitally produced.
Kukkapuro designed little on paper, he preferred creating plaster designs.
Initially his designs were produced by Finnish furniture company Haimi, but in 1980 a new company was founded to produce his designs: Avarte.
Functionality is key in Kukkapuro’s design philosophy, “Form follows function” is the motto he lives by.
Time and again he takes up the challenge of creating functional, durable and comfortable furniture using as little materials as possible.
Another typical trait is the lightness of the furniture and the honest shapes which often come to light in the details.
The exhibition layout was created by Yryö Kukkapuro and gives an overview of his work from the late 50s until the present day. Visitors will also have the opportunity to try out a number of his designs.
Designers From The Developing World Introduced To US Retail Jewelers
23 Apr 2009
PRESS RELEASE
April 2009
The Naledi Jewelry Collection, a fine diamond jewelry brand based in the United States and managed by the IGC Brand Services Group, introduced two new contributing designers from the developing world to US jewelers at the recent AGS conclave.
"It is our belief that the American consumer is today, culturally more diverse and better educated than a generation ago. They are also better traveled and often return impressed and hungry for more of the variety and creativity they have seen on their travels."
"By tapping into the exciting design talent in developing countries we are simply listening to our customers," said Chris LaTrobe, managing partner of the brand.
He added, "We have a simple but strict selection criteria. We are looking for jewelry that is visually different from anything else already on the market and it must be saleable. A compelling story is a big plus."
"Of course this is not easy, add communication problems and quite a bit of travel and you start to get an idea as to what is involved. When you do finally find what you are looking for, it is so gratifying. For the designers it represents a terrific opportunity."
"We commission a collection and then fully fund its manufacture, marketing and distribution and then introduce them to the most sophisticated jewelry consumer in the world."
The Naledi Love Letter Collection by Daniel Jacobs, of Stellenbosch, South Africa and The Circle Of Life Collection by Linki Van Zyl of Pretoria, South Africa can be previewed on-line.
The collection was also exhibited at the Instore Show in Chicago will be shown at the JCK Show in Las Vegas.
The Naledi brand is managed by the IGC Group, a DTC Sightholder with a global manufacturing and sales presence.
The diamonds used in The Naledi Collection are mined in Botswana and manufactured at their Gaberone, Botswana diamond-cutting factory.
The group has a diamond cutting history going back to 1912 and is in the midst of an ambitious program to train a new generation of Botswana diamond cutters. The Naledi Jewelry Collection donates a portion of each sale to Global Giving projects in Africa.
April 2009
The Naledi Jewelry Collection, a fine diamond jewelry brand based in the United States and managed by the IGC Brand Services Group, introduced two new contributing designers from the developing world to US jewelers at the recent AGS conclave.
"It is our belief that the American consumer is today, culturally more diverse and better educated than a generation ago. They are also better traveled and often return impressed and hungry for more of the variety and creativity they have seen on their travels."
"By tapping into the exciting design talent in developing countries we are simply listening to our customers," said Chris LaTrobe, managing partner of the brand.
He added, "We have a simple but strict selection criteria. We are looking for jewelry that is visually different from anything else already on the market and it must be saleable. A compelling story is a big plus."
"Of course this is not easy, add communication problems and quite a bit of travel and you start to get an idea as to what is involved. When you do finally find what you are looking for, it is so gratifying. For the designers it represents a terrific opportunity."
"We commission a collection and then fully fund its manufacture, marketing and distribution and then introduce them to the most sophisticated jewelry consumer in the world."
The Naledi Love Letter Collection by Daniel Jacobs, of Stellenbosch, South Africa and The Circle Of Life Collection by Linki Van Zyl of Pretoria, South Africa can be previewed on-line.
The collection was also exhibited at the Instore Show in Chicago will be shown at the JCK Show in Las Vegas.
The Naledi brand is managed by the IGC Group, a DTC Sightholder with a global manufacturing and sales presence.
The diamonds used in The Naledi Collection are mined in Botswana and manufactured at their Gaberone, Botswana diamond-cutting factory.
The group has a diamond cutting history going back to 1912 and is in the midst of an ambitious program to train a new generation of Botswana diamond cutters. The Naledi Jewelry Collection donates a portion of each sale to Global Giving projects in Africa.