RIBA: Castleford Bridge Wins The 2009 RIBA CABE Public Space Award
19 Oct 2009
The Castleford Bridge in Yorkshire by McDowell and Benedetti Architects has won the RIBA CABE Public Space Award.
This award is sponsored by the Commission for Architecture and the Built Environment (CABE), the government’s advisor on architecture, urban design and public space. Presented to the architects and landscape architects of the best RIBA Award-winning public space in the United Kingdom, the award recognises the valuable contribution that a well-designed public realm makes to the quality of the built environment and to our daily lives.
The RIBA CABE Public Space Award announcement was made on Saturday 17 October at a special awards ceremony for the RIBA Stirling Prize in association with The Architects' Journal and Crystal CG. It was introduced by Tom Dyckhoff, architecture critic for The Times newspaper. The winner was announced by Sir John Sorrell, CABE Chair, who presented the winners with a cheque for £5,000. The judges were Sarah Gaventa, Director of CABE Space; Neil Porter, architect and landscape architect at Gustafson Porter; and Tony Chapman, RIBA head of awards.
The bridge spans the river with a subtle S-bend that is set lightly on three supports. The timber boardwalk has been elegantly detailed to align with the line of movement. Benches arc out of its surface giving a range of seating heights for all ages and the balustrade provides a leaning rail to view the river. The architect’s attention to the human scale makes the bridge accessible and much loved by the inhabitants of Castleford. The community’s local pride in their involvement and achievement of building the bridge should help it stand the test of time.
Speaking about the bridge, Sarah Gaventa, Director of CABE Space said, “The Bridge over Castleford ‘Bay’ is a really engaging public space. It provides a real meeting place for local people and has helped strengthen Castleford’s relationship with its river. It is greatly loved and enjoyed by the local community who played a big role in its design, and it has pushed the definition of public space, proving that a bridge can offer as much as a street, public square, or park. It is a true public space because it can be used and enjoyed by everyone.”
The other shortlisted buildings for the award were:
5 Aldermanbury Square, Londonby Eric Parry Architects
Liverpool One Masterplan, Liverpool by BDP with landscape architects Pelli Clark Pelli and Gross Max
New Street Square, London by Bennetts Associates
This award is sponsored by the Commission for Architecture and the Built Environment (CABE), the government’s advisor on architecture, urban design and public space. Presented to the architects and landscape architects of the best RIBA Award-winning public space in the United Kingdom, the award recognises the valuable contribution that a well-designed public realm makes to the quality of the built environment and to our daily lives.
The RIBA CABE Public Space Award announcement was made on Saturday 17 October at a special awards ceremony for the RIBA Stirling Prize in association with The Architects' Journal and Crystal CG. It was introduced by Tom Dyckhoff, architecture critic for The Times newspaper. The winner was announced by Sir John Sorrell, CABE Chair, who presented the winners with a cheque for £5,000. The judges were Sarah Gaventa, Director of CABE Space; Neil Porter, architect and landscape architect at Gustafson Porter; and Tony Chapman, RIBA head of awards.
The bridge spans the river with a subtle S-bend that is set lightly on three supports. The timber boardwalk has been elegantly detailed to align with the line of movement. Benches arc out of its surface giving a range of seating heights for all ages and the balustrade provides a leaning rail to view the river. The architect’s attention to the human scale makes the bridge accessible and much loved by the inhabitants of Castleford. The community’s local pride in their involvement and achievement of building the bridge should help it stand the test of time.
Speaking about the bridge, Sarah Gaventa, Director of CABE Space said, “The Bridge over Castleford ‘Bay’ is a really engaging public space. It provides a real meeting place for local people and has helped strengthen Castleford’s relationship with its river. It is greatly loved and enjoyed by the local community who played a big role in its design, and it has pushed the definition of public space, proving that a bridge can offer as much as a street, public square, or park. It is a true public space because it can be used and enjoyed by everyone.”
The other shortlisted buildings for the award were:
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Exhibition Commemorates 10th Anniversary Of National Design Awards
19 Oct 2009
The Cooper-Hewitt, National Design Museum present “Design USA: Contemporary Innovation,” an exhibition celebrating the accomplishments of the winners honored during the first 10 years of the prestigious National Design Awards.
Organized by Jeannie Kim, National Design Awards manager, and Floramae McCarron-Cates, associate curator, Drawings, Prints and Graphic Design, the exhibition features the work of the more than 75 award winners for outstanding contemporary achievements in architecture, landscape design, interior design, product design, communication design, corporate design, interaction design and fashion. On view in the first-floor galleries through April 4, 2010, the opening coincides with the fourth annual National Design Week.
First launched at the White House in 2000 as a project of the White House Millennium Council, the National Design Awards were established to promote excellence and innovation in design. This is the first time that an exhibition has been devoted exclusively to the National Design Award winners.
“‘Design USA’ features objects from a pivotal moment in American design, a renaissance in which designers expanded beyond traditional boundaries as witnessed by the explosion of digital technology, material innovations and interdisciplinary collaborations,” said Cara McCarty, curatorial director of the museum.
“The exhibition celebrates the many ways these developments have impacted our lives and also forecasts design’s great reach as we move through the next century.”
The exhibition explores the sweeping and personal impact of design by displaying the work of a diverse roster of winners that includes everything from Tom Ford to Tupperware. Rather than a survey of the work of the past, the exhibition is a celebration of design innovation, examined through the lenses of technology, material, method, craft and experience. These themes reflect the multiple scales of interaction between design and the way we experience the world around us.
Developed in collaboration with the renowned firm 2x4—a 2006 National Design Award winner—the exhibition design uses a prefabricated shelving system that provides a unique modular platform for the drawings, products, fashion design and audiovisual work on view. 2x4 has also designed a digital component and guide to the exhibition, featuring supplemental works, videos and interviews with the honorees, which will be available to all museum visitors through the free rental of an iPod touch at the admissions desk.
“Design USA” begins with an exploration of innovation through craft, which has had a renewed importance in design during the last 10 years. The persistence of craft, attention to detail and exquisite production has influenced numerous designers, from the graceful manipulation of light in the architecture of Steven Holl to the intricately detailed garments of Ralph Rucci. Other works on view in this section include the projects of landscape architects Peter Walker and Partners, which are grounded in extensive knowledge of history and tradition, understanding of contemporary needs and mastery of construction; and Aveda, which develops solutions to problems by insisting on strong design standards expressed within shifting parameters of materials and design processes that leave a minimal “footprint” on the planet.
The impact of design on people’s day-to-day environment is highlighted in the next section of the exhibition. Due to the unprecedented access to information over the past decade, the innovations of many disciplines can be applied to imagine what design can be, ultimately transforming the way it is experienced. On view will be work by environmental designer Ned Kahn, who explores natural phenomena through his projects that incorporate fluid dynamics, optics, acoustics and other features of physics; the Power Flower installation by Antenna Design, a firm that incorporates new media and interactive, thought-provoking components to engage the user; and Toledo Studio, whose designs mix an appreciation of machinery, practicality and comfort with playful, incisive and intensely surreal observations on fashion, beauty and life.
The exhibition addresses how new materials have caused designers to rethink and redesign products. It also explores how familiar materials have been used to construct radical products or repurposed to respond to new needs. On view in this section will be the Caper chair by Bill Stumpf, who approached design as a process of improvisation and discovery and is known for his ergonomic and materially efficient designs; clothing by Patagonia, which works with manufacturers to develop new high-performance fabrics such as Capilene and H2No Storm to meet athletes’ strict performance demands; and interior design work by architect Richard Gluckman, who emphasizes basic architectural components of structure, scale, proportion, material and light while working in historically sensitive contexts.
The “method” category explores multifaceted approaches to the design process as a response to the dialogue between an individual and a need. Designers seek long-term solutions to social and cultural concerns, while educating the consumer in new ways of design thinking. Examples of the works on view in this area include the Macrowave series by Whirlpool, a company that uses design as a strategic tool to produce high-quality, innovative appliances that meet the needs of a broad range of American households; the products of Google, which continue to transform the way millions of Internet users around the globe access information every day by marrying a simple, easy-to-use interface with complex engineering and innovative channels of dissemination; and the projects of Lewis.Tsurumaki.Lewis, an architecture and design partnership recognized for their attention to detail and craft, inventive use of materials and close involvement in the installation process.
The exhibition also examines the influence of technology on design, as manifested in everything from Burt Rutan’s SpaceShip One to Apple’s PowerMac G4. In the past decade, design has embraced new technologies, new processes of fabrication and new methods of production and delivery. Among the honorees featured in this section are John Maeda, artist-mathematician and president of the Rhode Island School of Design, whose “Ribbon 3D” work emerges from a rarified mix of geometry problems and algebraic equations to create intensely detailed, infinitely mutable patterns of information, and fashion designer Rick Owens, who uses a minimalist palette to accentuate his sculptural designs and is noted for his masterful use of draping and asymmetrical cut.
“Design USA” will also feature works by National Design Awards winners in the Lifetime Achievement category, including Milton Glaser, Eva Zeisel and Charles Harrison. On view in the Nancy and Edwin Marks Gallery, these works reflect the museum’s mission to present the work of designers in the context of the past and present, but also in anticipation of the future.
The exhibition concludes with an interactive gallery wherein visitors can express their views on good design and its impact on daily life.
Organized by Jeannie Kim, National Design Awards manager, and Floramae McCarron-Cates, associate curator, Drawings, Prints and Graphic Design, the exhibition features the work of the more than 75 award winners for outstanding contemporary achievements in architecture, landscape design, interior design, product design, communication design, corporate design, interaction design and fashion. On view in the first-floor galleries through April 4, 2010, the opening coincides with the fourth annual National Design Week.
First launched at the White House in 2000 as a project of the White House Millennium Council, the National Design Awards were established to promote excellence and innovation in design. This is the first time that an exhibition has been devoted exclusively to the National Design Award winners.
“‘Design USA’ features objects from a pivotal moment in American design, a renaissance in which designers expanded beyond traditional boundaries as witnessed by the explosion of digital technology, material innovations and interdisciplinary collaborations,” said Cara McCarty, curatorial director of the museum.
“The exhibition celebrates the many ways these developments have impacted our lives and also forecasts design’s great reach as we move through the next century.”
The exhibition explores the sweeping and personal impact of design by displaying the work of a diverse roster of winners that includes everything from Tom Ford to Tupperware. Rather than a survey of the work of the past, the exhibition is a celebration of design innovation, examined through the lenses of technology, material, method, craft and experience. These themes reflect the multiple scales of interaction between design and the way we experience the world around us.
Developed in collaboration with the renowned firm 2x4—a 2006 National Design Award winner—the exhibition design uses a prefabricated shelving system that provides a unique modular platform for the drawings, products, fashion design and audiovisual work on view. 2x4 has also designed a digital component and guide to the exhibition, featuring supplemental works, videos and interviews with the honorees, which will be available to all museum visitors through the free rental of an iPod touch at the admissions desk.
“Design USA” begins with an exploration of innovation through craft, which has had a renewed importance in design during the last 10 years. The persistence of craft, attention to detail and exquisite production has influenced numerous designers, from the graceful manipulation of light in the architecture of Steven Holl to the intricately detailed garments of Ralph Rucci. Other works on view in this section include the projects of landscape architects Peter Walker and Partners, which are grounded in extensive knowledge of history and tradition, understanding of contemporary needs and mastery of construction; and Aveda, which develops solutions to problems by insisting on strong design standards expressed within shifting parameters of materials and design processes that leave a minimal “footprint” on the planet.
The impact of design on people’s day-to-day environment is highlighted in the next section of the exhibition. Due to the unprecedented access to information over the past decade, the innovations of many disciplines can be applied to imagine what design can be, ultimately transforming the way it is experienced. On view will be work by environmental designer Ned Kahn, who explores natural phenomena through his projects that incorporate fluid dynamics, optics, acoustics and other features of physics; the Power Flower installation by Antenna Design, a firm that incorporates new media and interactive, thought-provoking components to engage the user; and Toledo Studio, whose designs mix an appreciation of machinery, practicality and comfort with playful, incisive and intensely surreal observations on fashion, beauty and life.
The exhibition addresses how new materials have caused designers to rethink and redesign products. It also explores how familiar materials have been used to construct radical products or repurposed to respond to new needs. On view in this section will be the Caper chair by Bill Stumpf, who approached design as a process of improvisation and discovery and is known for his ergonomic and materially efficient designs; clothing by Patagonia, which works with manufacturers to develop new high-performance fabrics such as Capilene and H2No Storm to meet athletes’ strict performance demands; and interior design work by architect Richard Gluckman, who emphasizes basic architectural components of structure, scale, proportion, material and light while working in historically sensitive contexts.
The “method” category explores multifaceted approaches to the design process as a response to the dialogue between an individual and a need. Designers seek long-term solutions to social and cultural concerns, while educating the consumer in new ways of design thinking. Examples of the works on view in this area include the Macrowave series by Whirlpool, a company that uses design as a strategic tool to produce high-quality, innovative appliances that meet the needs of a broad range of American households; the products of Google, which continue to transform the way millions of Internet users around the globe access information every day by marrying a simple, easy-to-use interface with complex engineering and innovative channels of dissemination; and the projects of Lewis.Tsurumaki.Lewis, an architecture and design partnership recognized for their attention to detail and craft, inventive use of materials and close involvement in the installation process.
The exhibition also examines the influence of technology on design, as manifested in everything from Burt Rutan’s SpaceShip One to Apple’s PowerMac G4. In the past decade, design has embraced new technologies, new processes of fabrication and new methods of production and delivery. Among the honorees featured in this section are John Maeda, artist-mathematician and president of the Rhode Island School of Design, whose “Ribbon 3D” work emerges from a rarified mix of geometry problems and algebraic equations to create intensely detailed, infinitely mutable patterns of information, and fashion designer Rick Owens, who uses a minimalist palette to accentuate his sculptural designs and is noted for his masterful use of draping and asymmetrical cut.
“Design USA” will also feature works by National Design Awards winners in the Lifetime Achievement category, including Milton Glaser, Eva Zeisel and Charles Harrison. On view in the Nancy and Edwin Marks Gallery, these works reflect the museum’s mission to present the work of designers in the context of the past and present, but also in anticipation of the future.
The exhibition concludes with an interactive gallery wherein visitors can express their views on good design and its impact on daily life.
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